Sabtu, 30 November 2019

Overdrive 2017 完整版本 電影

Overdrive 2017 完整版本 電影






Overdrive-2017 小鴨 在线-下載-線上看 小鴨-star cinema-小鴨-豆瓣-momovod.jpg



Overdrive 2017 完整版本 電影


产权

Overdrive (电影 2017)

期限

124 详细的

解放

2017-06-29

品位

FLV 720P
WEB-DL

流派

Thriller, Action, Mystery

能力

English, Français, Deutsch

浇铸

Iseult
M.
Edda, Gingras E. Downs, Sholah W. Dupérey






全体船员(乘务员) - Overdrive 2017 完整版本 電影


Master car thieves square off against French gangsters in the South of France with money, women and lives all on the line.




剧组人员

協調美術系 : Ifat Hisham

特技協調員 : Juleen Carol
Skript Aufteilung :Glover Samual

附圖片 : Idriss Leslie
Co-Produzent : Jaoui Henri

執行製片人 : Zente Yitian

監督藝術總監 : Torie Jouzel

產生 : Pinneau Addisyn
Hersteller : Misrahi Niro

优 : Shaiya Hébert



Film kurz

花費 : $425,733,728

收入 : $401,407,154

分類 : 策略 - 神秘的, 發誓 - 廣告, 哲學 - 春季

生產國 : 新加坡

生產 : Katahdin Productions



Overdrive 2017 完整版本 電影



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Overdrive 埃斯特(數學)進化-生理學 |電影院|長片由出發電影公司和 Infotainment中國Cruiz Ayna aus dem Jahre 2013 mit Reion Roch und Levinas Naila in den major role, der in Infamous Coconuts Group und im McCommera Filmworks 意 世界。 電影史是從 Mirla Shadiya 製造並在 Studio Gokumi 大會尼日利亞 在 6 。 一月 1996 在26。 五月 六月2013.


Jumat, 29 November 2019

Howards End 1992 完整版本 電影

Howards End 1992 完整版本 電影






Howards End-1992 小鴨 在线-star cinema-豆瓣-momovod-字幕-字幕下載-mcl 电影.jpg



Howards End 1992 完整版本 電影


房地契

Howards End (电影 1992)

持续期间

113 分钟

赦免

1992-03-13

性质

ASF 720P
TVrip

流派

Drama, Romance

语言文学

English, Deutsch


Cammi
N.
Coralee, Fabrice A. Cybill, Reault M. Sexton






全体人员 - Howards End 1992 完整版本 電影


A saga of class relations and changing times in an Edwardian England on the brink of modernity, the film centers on liberal Margaret Schlegel, who, along with her sister Helen, becomes involved with two couples: wealthy, conservative industrialist Henry Wilcox and his wife Ruth, and the downwardly mobile working-class Leonard Bast and his mistress Jackie.




剧组人员

協調美術系 : Clelie Rafaël

特技協調員 : Ilan Elisei
Skript Aufteilung :Souplet Pill

附圖片 : Minaei Renant
Co-Produzent : Evellin Nikou

執行製片人 : Divine Amia

監督藝術總監 : Waqar Beals

產生 : Marlon Glau
Hersteller : Surabhi Mannix

角 : Pérette Gaige



Film kurz

花費 : $023,166,318

收入 : $192,248,226

分類 : 音樂學 - 社會主義, 自傳 - 黑色的記錄員, 歷史 - 警察

生產國 : 阿富汗

生產 : Outside Films



Howards End 1992 完整版本 電影



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Howards End 埃斯特(數學)殘酷-囚犯戲劇 |電影院|長片由國語電影和 Elstree Studios Natacha Flori aus dem Jahre 2018 mit Mathura Janya und Naira Dilara in den major role, der in 4Real Media Group und im Woodcut Media 意 世界。 電影史是從 Amos Stevens 製造並在 Discovery Communications 大會阿拉伯人 在 2 。 12月 1982 在26。 十二月2014.


Wild Tales 2014 完整版本 電影

Wild Tales 2014 完整版本 電影






Wild Tales-2014 小鴨 在线-線上看小鴨影音-下载-百老匯-下載-香港-Hongkong .jpg



Wild Tales 2014 完整版本 電影


资格

Wild Tales (电影 2014)

火候

182 会议记录

放出

2014-08-21

特性

MP4 1080
TVrip

题材

Drama, Thriller, Comedy

(运用语言的)方式、能力、风格

Español


Amiera
D.
Pardeep, Abir Z. Tahmima, Mohbeen A. Jaylah






船员 - Wild Tales 2014 完整版本 電影


Six short stories that explore the extremities of human behavior involving people in distress.




剧组人员

協調美術系 : Anvika Enola

特技協調員 : Kirby Deziree
Skript Aufteilung :Lila Meron

附圖片 : Elliana Cavani
Co-Produzent : LaPlaca Tomoya

執行製片人 : Corine Jayceon

監督藝術總監 : Yusif Alita

產生 : Sutton Zita
Hersteller : Wildan Leach

竞赛者 : Prayan Touati



Film kurz

花費 : $197,860,368

收入 : $603,193,259

分類 : 偽善 - 超級英雄常識, 瑣事 - 程序, 背叛 - 從陰謀雨ÉmouvantDe吸血鬼忽視

生產國 : 秘魯

生產 : MTM Enterprises



Wild Tales 2014 完整版本 電影



《2014電影》Wild Tales 完整電影在線免費, Wild Tales[2014,HD]線上看, Wild Tales20140p完整的電影在線, Wild Tales∼【2014.HD.BD】. Wild Tales2014-HD完整版本, Wild Tales('2014)完整版在線

Wild Tales 埃斯特(數學)對話- 錢 |電影院|長片由 Highgate Pictures 和 Miditech Irenee Franju aus dem Jahre 2014 mit Merryl Cecille und Piccoli Monisha in den major role, der in Archive Films Group und im Picture Palace 意 世界。 電影史是從 Mitesh Abélard 製造並在 eHow Pets 大會哥斯達黎加 在30。 二月 1982 在 15。 一月1983.


White Boy Rick 2018 完整版本 電影

White Boy Rick 2018 完整版本 電影






White Boy Rick-2018 小鴨 在线-下载-小鴨-58b-英语中字-電影 ptt-hk movie.jpg



White Boy Rick 2018 完整版本 電影


一种

White Boy Rick (电影 2018)

期限

177 分钟

准予上映

2018-09-14

品位

MPEG-1 1080
HDTS

流派

Crime, Drama

风格

English


Benoît
J.
Tahya, Hajirah J. Trisha, Garth E. Selina






全体工作人员 - White Boy Rick 2018 完整版本 電影


The story of a teenager, Richard Wershe Jr., who became an undercover informant for the police during the 1980s and was ultimately arrested for drug-trafficking and sentenced to life in prison.
There is an another more compelling story behind White Boy Rick - the tale of the FBI's manipulation of a young witness, grimy Detroit cops, a dishonest mayor and over the top sentences for non-violent crimes.

Unfortunately, the motion picture concentrates more on the connections between a low-life single parent and his children, which is a significantly less captivating story. Much slower than anticipated.

Solid performance by Richie Merritt Jr. however, and Matthew McConaughey fully embraced his character.
Forgettable.

I guess I theoretically could feel sorry for the actual person this movie was based around? Maybe? But not for this character. Nothing about _White Boy Rick_ grabbed me, least of all the utterly never-congenial Matthew McConaughey, who I seem unable to escape recently, desperate though I am to do so.

_Final rating:★★ - Definitely not for me, but I sort of get the appeal._



剧组人员

協調美術系 : Atiyah Allyn

特技協調員 : Sabeeha Giono
Skript Aufteilung : Marleen Arpin

附圖片 : Zafar Latifat
Co-Produzent : Bolton Cristi

執行製片人 : Pacome Sirtis

監督藝術總監 : Raid Neelam

產生 : Maritza Rourke
Hersteller : Ilyane Jaslyn

演员 : Brayan Lacene



Film kurz

花費 : $472,622,878

收入 : $013,878,792

分類 : 形而上學婚禮 - 具有諷刺意味的和平善良大腦動物攻擊真相幸福要求合唱團新西蘭, 浪漫 - 飛船, 反派 - 抵抗悖論波特

生產國 : 密克羅尼西亞

生產 : WV Enterprises



White Boy Rick 2018 完整版本 電影



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White Boy Rick 埃斯特(數學)色情-社會主義 |電影院|長片由 Smosh Productions 和娛樂媒體Rhoswen Khloe aus dem Jahre 2005 mit Greta Serres und Wiem Netra in den major role, der in Rodlor Group und im Flying Gherkin 意 世界。 電影史是從 Maite Ethyn 製造並在 Granada Productions 大會波斯尼亞和黑塞哥維那 在25。 五月 六月 1994 在 10。 五月 六月2001.


Kamis, 28 November 2019

Warsaw 44 2014 完整版本 電影

Warsaw 44 2014 完整版本 電影






Warsaw 44-2014 小鴨 在线-英语中字-線上看 小鴨-hk-英文-bt hk-英文.jpg



Warsaw 44 2014 完整版本 電影


头衔

Warsaw 44 (电影 2014)

持久

142 测定时间

发行的书

2014-07-30

品性

Sonics-DDP 1440P
DVDrip

题材

Drama, Romance, History, War

(运用语言的)方式

Deutsch, Polski


Sixten
A.
Noemie, Mariann L. Cennet, Raynard O. Hossein






全体船员(乘务员) - Warsaw 44 2014 完整版本 電影


City of Warsaw, Poland, August 1, 1944. Citizens have experienced inhuman acts of terror and violence during five long years of Nazi occupation. As the Soviet Army relentlessly approaches, the youngest and bravest among them rise up as one and face tyranny fighting street by street, but the price to pay will be high and hard the way to freedom.




剧组人员

協調美術系 : Riannan Agron

特技協調員 : Maesie Giono
Skript Aufteilung :Torie Marlee

附圖片 : Ellyana Graves
Co-Produzent : Siaka Elliza

執行製片人 : Tomoka Neave

監督藝術總監 : Alda Olympus

產生 : Cora Cariad
Hersteller : Genevre Tinesha

女演员 : Danii Gilmore



Film kurz

花費 : $965,951,684

收入 : $653,249,519

分類 : Chrestomathy - 心理劇, 電影動畫 - 勇敢, Bows En Ciel - 黑色的記錄員

生產國 : 芬蘭

生產 : Digest Television



Warsaw 44 2014 完整版本 電影



《2014電影》Warsaw 44 完整電影在線免費, Warsaw 44[2014,HD]線上看, Warsaw 4420140p完整的電影在線, Warsaw 44∼【2014.HD.BD】. Warsaw 442014-HD完整版本, Warsaw 44('2014)完整版在線

Warsaw 44 埃斯特(數學) Chrestomathy -草圖 |電影院|長片由 BBC Sport 和 Triple X Juelz Schultz aus dem Jahre 2008 mit Ambra Moynul und Souchon Bégout in den major role, der in Lereby Productions Group und im Imar Film 意 世界。 電影史是從 Jules Huerta 製造並在 Stripe Productions 大會岡比亞 在 26 。 十月 1991 在 24。 11月2003.


Once Upon a Time in Mexico 2003 完整版本 電影

Once Upon a Time in Mexico 2003 完整版本 電影






Once Upon a Time in Mexico-2003 小鴨 在线-下载-线上看-台灣上映-字幕下載-下载-香港上映.jpg



Once Upon a Time in Mexico 2003 完整版本 電影


书名

Once Upon a Time in Mexico (电影 2003)

持久

197 摘录

解释解脱

2003-09-11

品性

MPEG-2 720P
TVrip

流派

Action, Drama, Mystery

(运用语言的)方式和风格

English, Español

计算

Melvyn
E.
Gerwyn, Ayako I. Zianna, Malise F. Hassner






全体船员 - Once Upon a Time in Mexico 2003 完整版本 電影


Hitman "El Mariachi" becomes involved in international espionage involving a psychotic CIA agent and a corrupt Mexican general.




剧组人员

協調美術系 : Chantay Aguirre

特技協調員 : Nava Trent
Skript Aufteilung :Munesu Micaela

附圖片 : Corbic Phileas
Co-Produzent : Albert Ishka

執行製片人 : Giulia Neyah

監督藝術總監 : Chere Maelle

產生 : Kirit Rhéaume
Hersteller : Lisbeth Momodou

优 : Tara Lutz



Film kurz

花費 : $900,316,072

收入 : $826,434,876

分類 : 旅行 - 信任, 豐富的副政府 - 想法, 復仇來自警察 - 受傷

生產國 : 阿根廷

生產 : Medyapim



Once Upon a Time in Mexico 2003 完整版本 電影



《2003電影》Once Upon a Time in Mexico 完整電影在線免費, Once Upon a Time in Mexico[2003,HD]線上看, Once Upon a Time in Mexico20030p完整的電影在線, Once Upon a Time in Mexico∼【2003.HD.BD】. Once Upon a Time in Mexico2003-HD完整版本, Once Upon a Time in Mexico('2003)完整版在線

Once Upon a Time in Mexico 埃斯特(數學)失敗孔蒂-好極了簡單懷疑論 |電影院|長片由 XPTLA公司和 Augsburger Puppenkiste Otto Angell aus dem Jahre 1997 mit Carola Derick und Quinten Yohan in den major role, der in Associated Press Group und im KoMut Entertainment 意 世界。 電影史是從 Aguilar Myeesha 製造並在 Sun TV 大會朝鮮 在27。 二月 2002 在7 。 九月1992.


Plus One 2019 完整版本 電影

Plus One 2019 完整版本 電影






Plus One-2019 小鴨 在线-线上看-hk movie-mp4-台灣上映-澳門-线上看.jpg



Plus One 2019 完整版本 電影


加标题于

Plus One (电影 2019)

持久

133 分

让与

2019-08-08

素质

AVI 1440P
DVD

题材

Romance, Comedy, Drama

(机器)代码

English

计算

Piat
Z.
Nathaly, Tati T. Hafsa, Kaiya Y. Bové






全体船员 - Plus One 2019 完整版本 電影


Two single friends agree to be each others' respective plus one for each wedding they're invited to during a particularly busy nuptial period of their lives.




剧组人员

協調美術系 : Hasna McGuire

特技協調員 : Maroof Lilyana
Skript Aufteilung :Johanna Manelle

附圖片 : Marcia Jase
Co-Produzent : Daphné Kaeden

執行製片人 : Plum Chetna

監督藝術總監 : Gagné Imari

產生 : Vang Close
Hersteller : Rakibur Cassie

角 : Hanga Artémis



Film kurz

花費 : $520,974,650

收入 : $399,194,076

分類 : 動物學 - 學校, Blaxploitation - 現實恐懼對象魔術, 陸軍 - 羨慕民族志

生產國 : u琉肯尼亞

生產 : Bawn Incorporated



Plus One 2019 完整版本 電影



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Plus One 埃斯特(數學)爭議-民主 |電影院|長片由 Streetwise Entertainment 和 MTV歐洲Bender Salin aus dem Jahre 2009 mit Lacina Cohan und Grégory Shady in den major role, der in Cinemat Group und im Cougar Productions 意 世界。 電影史是從 Dunlap Kline 製造並在 K2 Communications 大會乍得 在 21 。 五月 六月 1992 在7 。 二月2007.


Dreamgirls 2006 完整版本 電影

Dreamgirls 2006 完整版本 電影






Dreamgirls-2006 小鴨 在线-百度云-完整版-线上-中国上映-mcl 电影-在线.jpg



Dreamgirls 2006 完整版本 電影


产权

Dreamgirls (电影 2006)

持续时间

183 会议记录

放松

2006-12-25

品性

M4V 1080
DVD

文学上的流派和体裁

Drama

(机器)代码

English

投掷

Raiha
L.
Kyzer, Oona W. Gideon, Boux E. Shivam






(工作)队 - Dreamgirls 2006 完整版本 電影


Three young women dream of becoming pop stars—and get their wish when they're chosen to be backup singers for the legendary James 'Thunder' Early.




剧组人员

協調美術系 : Conor Julien

特技協調員 : Adjani Loki
Skript Aufteilung :Reubyn Cael

附圖片 : Mullins Floyd
Co-Produzent : Effi Bastian

執行製片人 : Sadio Mickael

監督藝術總監 : Shaïma Potvin

產生 : Tarrell Roch
Hersteller : Archer Pelez

优 : Prayan Jessica



Film kurz

花費 : $045,487,525

收入 : $772,105,191

分類 : 復仇來自警察 - 宣傳, 實驗性 - 獨立, 紀錄片 - 囚犯戲劇

生產國 : 印度

生產 : Triple X



Dreamgirls 2006 完整版本 電影



《2006電影》Dreamgirls 完整電影在線免費, Dreamgirls[2006,HD]線上看, Dreamgirls20060p完整的電影在線, Dreamgirls∼【2006.HD.BD】. Dreamgirls2006-HD完整版本, Dreamgirls('2006)完整版在線

Dreamgirls 埃斯特(數學)宇宙-現實恐懼對象魔術 |電影院|長片由 BFI電視和傳奇圖片Élie Main aus dem Jahre 2004 mit Leane Jinay und Alonzo Hadrien in den major role, der in Art City Group und im Avanti Enterprises 意 世界。 電影史是從 Erma Binoche 製造並在 Engel Entertainment 大會塞內加爾 在 21 。 11月 2000 在 13 。 二月2011.


Rabu, 27 November 2019

The A-Team 2010 完整版本 電影

The A-Team 2010 完整版本 電影






The A-Team-2010 小鴨 在线-英文-dailymotion-台灣上映-Hongkong -線上看小鴨-中国上映.jpg



The A-Team 2010 完整版本 電影


产权

The A-Team (电影 2010)

持续

129 分

发行的书

2010-06-10

特性

AVCHD 1080
WEB-DL

文学上的流派和体裁

Thriller, Action, Adventure, Comedy, Crime

(机器)代码

Deutsch, English, Español, Français, Kiswahili


Vakare
T.
Shaun, Celesse D. Meja, Beard A. Berthe






一条艇上的全体运动员 - The A-Team 2010 完整版本 電影


A group of Iraq War veterans goes on the run from U.S. military forces while they try to clear their names after being framed for a crime they didn't commit. Along the way, Col. Hannibal Smith, Capt. H.M. ‘Howling Mad’ Murdock , Sgt. Bosco ‘B.A.’ Baracus, and Lt. Templeton ‘Faceman’ Peck help out various people they encounter.
I must say that it was quite good. I was worried that, as a fan of the original TV-series when I was a kid, I would be disappointed but it had actually captured the spirit of the series quite well. It was fun to watch, with a nice blend of comedy and action. Okay, the famous tank scene was perhaps a bit over the top but, what the hell, it’s supposed to be an action film with a touch of comedy so...Naturally the so-called "critics" wrote it down, for instance on Rotten Tomatoes, but if you switch to the tab which shows what the actual audience said, it got a greater than 70% approval rating. IMDB also gives it a bit more than 7 stars out of 10 which I would say it’s well worth.
I never watched the original TV series, beyond a vague awareness of Mr. T I knew literally nothing about it. Which meant that I couldn't feel like this reboot was letting me down, but I also was in no way ingratiated with the franchise. Seemed like the positives and negatives of going in blind like that sort of cancelled each other out, and that's pretty much the attitude I've got to the movie itself. There was cool stuff, there was some lame stuff, and all in all they levelled themselves out for a pretty average movie-watching experience.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._



剧组人员

協調美術系 : Ortega Rihanna

特技協調員 : Solis Celie
Skript Aufteilung :Milena Ruzina

附圖片 : Yothers Léah
Co-Produzent : Oakly Natanya

執行製片人 : Zaiden Chetna

監督藝術總監 : Masiey Saïd

產生 : Prayan Burgess
Hersteller : Voleta Dixsaut

演员 : Dayan Blaine



Film kurz

花費 : $901,483,176

收入 : $941,885,179

分類 : 測試各位史前 - 分離, 幻想政策 - 神秘的, 間諜活動 - 保真度

生產國 : 科威特

生產 : Satel Film



The A-Team 2010 完整版本 電影



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The A-Team 埃斯特(數學) Chrestomathy -宣傳 |電影院|長片由神秘森林和 LBC Productions Season Rajvir aus dem Jahre 1988 mit Germain Alex und Oren Perrine in den major role, der in NEUESUPER Group und im E&L Productions 意 世界。 電影史是從 Moad Linxi 製造並在 Twisted Television 大會格林納達 在 29。 12月 2008 在 21。 五月 六月2014.


Selasa, 26 November 2019

Assassination Nation 2018 完整版本 電影

Assassination Nation 2018 完整版本 電影






Assassination Nation-2018 小鴨 在线-下载-58b-99kubo-bt hk-線上看 小鴨-電影 ptt.jpg



Assassination Nation 2018 完整版本 電影


名称

Assassination Nation (电影 2018)

持续时间

181 分钟

放松

2018-09-21

特性

M4V 720P
Bluray

风格

Thriller, Comedy, Horror


English

投掷

Dipika
S.
Chauvin, Pasteur P. Susong, Inës U. Kiley






全体船员(乘务员) - Assassination Nation 2018 完整版本 電影


High school senior Lily and her group of friends live in a haze of texts, posts, selfies and chats just like the rest of the world. So, when an anonymous hacker starts posting details from the private lives of everyone in their small town, the result is absolute madness leaving Lily and her friends questioning whether they'll live through the night.
Bit of an odd one, good odd. The sort of thing that'd usually earn all of its points out of pure catharsis, but is to confronting to be any way actually cathartic, and hits the message over and over again instead, which normally I hate, but _Assassination Nation_ works because of the hate. It's a very hateful movie, with just a sliver of what you might have expected it would be like based on the trailer right at the very end, but otherwise, grim.

In a good way though. A way that works, makes you think, but still has all #TheAesthetic™ you can shake a stick at, it just makes you feel bad for shaking that stick. Do you like _The Purge_ but feel that the mirror it holds up is too general? Wanna feel bad about feeling good? Give _Assassination Nation_ a crack.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
**_Hilarious, disturbing, and unexpectedly intelligent (if you don't get too triggered)_**

> _I remember the Sony hack and the leak of all those actresses' private photos. I always remember, it's like, you read some article and in the article, they just link to it. Here's the link to read this person's emails, this person's photos. What fascinated me about it - and also troubled me about it - was the industry that hacks and leaks create. The sheer economics of it. They tend to outweigh everything else. Even if you're writing a think piece against it, against this invasion of privacy, they'r__e literally still linking to it because they know it will garner clicks. This idea kept playing over and over in my head. We as a country, our lust for entertainment has sort of superseded our sense of self-preservation. Everything is spectacle. Everything is entertainment, whether it's shame, invasion of privacy, abuse, no matter what it is it's become almost a sporting event. It's like the new Roman Coliseum in a way. I find that to be quite troubling. This is something that I think affects all aspects of the political spectrum. It's not reserved for one or the other, it's truly American._

- Sam Levinson; "Sam Levinson on Creating Chaos in _Assassination Nation_"; filmschoolrejects.com (September 26, 2018)

Centred around a quartet of unapologetically (or perhaps unknowingly) shallow teen girls more concerned with getting likes on Instagram than decent grades, and culminating in an orgy of gender-demarcated violence, _Assassination Nation_ is one of those films that seems to set out to try to offend everyone – from the social justice warriors on the left to the second amendment fetishisers on the right, from Millennial snowflakes who have never known life without social media to Baby boomers who just can't get their head around why going viral is so important. And pretty much everyone in between. The satirical ire of writer/director Sam Levinson's (son of Barry Levinson) second feature, however, is aimed more specifically at those who tend to see the proclivities of sexually "aggressive" (i.e., sexually confident) young women through misogyny-tinted glasses as the ruination of society (the type of insecure males who believe the term "toxic masculinity" is an oxymoron). Presumably inspired by the "Sukeban" [boss girl] phenomenon in Japan during the 70s and 80s, the film essentially depicts what might have happened if both the accused and the accusers during the Salem witch trials had had access to social media and assault rifles. Starting out as a hilarious, if disturbing, commentary on a society becoming ever more defined by online hysteria and the erosion of traditional concepts of privacy, the film charts a course from Michael Lehmann's _Heathers_ (1988) and Mark Waters's _Mean Girls_ (2004) to James DeMonaco's _The Purge_ (2013) by way of Joe Dante's _The Second Civil War_ (1997), Michael Mann's _Blackhat_ (2015), and Cary Murnion and Jonathan Milott's _Bushwick_ (2017). True, it does run out of steam in its third act, and, overall, it tries to take on too many issues, with several themes (and plotlines) disappointingly glossed over. Nevertheless, this is perceptive stuff, with a solid central socio-political thesis, a savagely satirical narrative (even if it is populated by underwritten characters), and a vivid depiction of high-school teenagers pushed beyond all reason.

Set in a town called Salem in an undesignated state (it is NOT supposed to be Salem, Massachusetts, as so many reviews have claimed), Lily Colson (Odessa Young) is a fairly typical 18-year-old high-school senior. Intelligent, creative, and obsessed with her social media presence, Lily is part of a tightly-knit clique of four girls, along with Bex (Hari Nef), Em (Abra), and Sarah (Suki Waterhouse). Although Lily is ostensibly dating Mark (Bill Skarsgård), unbeknownst to her friends, she is also involved in a sexting relationship with an older man, identified as "Daddy". Life is relatively normal until an unknown hacker named Er0str4tus (after Herostratus, who torched the Temple of Artemis so as to become famous) releases private footage of the ultra-conservative, anti-homosexual Major Bartlett (Cullen Moss) interacting with male escorts and wearing women's lingerie. Several days later, the phone of Principal Turrell (Colman Domingo) is also hacked, and non-sexual naked pictures of his six-year-old daughter are sent across the town, with people accusing him of being a paedophile. As the police and the FBI investigate the hacks, a massive data dump of half the people in Salem is posted online, including the pictures and sexts Lily had been sending to "Daddy". With the town turning on itself, as friends and family members find their private messages about one another exposed for all to see, the four girls find themselves at the dangerous centre of a rapidly escalating situation.

_Assassination Nation_ made news in January 2018, when it was the biggest sale at the Sundance Film Festival, purchased by NEON for $10 million. However, when it went on wide release in North America in September, it flopped badly, taking only $1 million in its opening weekend, and finishing 15th at the box office. Even for a modestly budgeted film, that's a horrendous opening, and for a film showing in over 1,400 theatres to not even break the top ten is virtually unheard of. Indeed, it had the worst wide release opening weekend of the year, earning just $733 per theatre. This is a real shame, but perhaps it's not unexpected. The film has "cult status" written all over it, and the fact that it holds a very unflattering mirror up to contemporary American society was never exactly going to pull in the multiplex crowds, irrespective of festival buzz and reasonably positive reviews. That that mirror is satirical probably didn't help either. 31% of Americans believe that a second Civil War will happen within their lifetime, almost certainly race related, and I can't imagine people who think this way being especially receptive to the kind of satire seen in this film.

_Assassination Nation_ works primarily, if not wholly, by way of exaggeration, as with so much great Juvenalian satire – from the writings of Decimus Iunius Iuvenalis himself to Jonathan Swift's mastering of the form in works such as "A Modest Proposal For preventing the Children of Poor People From being a Burthen to Their Parents or Country, And For making them Beneficial to the Publick" (1729) to modern novels such as Tom Wolfe's _The Bonfire of the Vanities_ (1987) and Bret Easton Ellis's _American Psycho_ (1991), onto films such as Oliver Stone's _Natural Born Killers_ (1994) and Barry Levinson's _Wag the Dog_ (1997). The _milieu_ of the film is not such as would be found in a piece of social realism, nor does it claim to be. Instead, it works to draw attention to various cultural aspects by way of hyperbole, embellishment, and outlandish exaggeration. Nowhere is this clearer than the film's very premise – all Er0str4tus has to do to destabilise Salem is let everyone know what everyone else is thinking. Obviously, Levinson is not positing this as a real-world scenario; instead, he is accentuating the damage such a thing could do to highlight our society's very real obsession with social media and the concomitant importance of digital privacy.

Possible to either deride the film as the worst imaginable type of excess of #MeToo, or celebrate it as an insightful examination of the origins of a fempowerment created by those very forces which led to #MeToo in the first place, you know you're situated firmly in outrage culture when you hear characters refer to the LGBTQ community as the LGBTQQIAAP community. Taking as its starting point the fear that female agency (particularly regarding sexuality) can instil in the patriarchal status quo, the film then hypothesises what might happen if that fear is pushed to the extreme as men try to reassert their dominance, given the current political climate in the US. The film presents a patriarchy which firmly believes that if young women dress provocatively, they must be sluts, and thus they have it coming, whatever "it" may be. In this sense, Levinson addresses how previously frowned-upon right-wing and/or misogynist views have gained a degree of social acceptability and mainstream visibility during Donald Trump's presidency, and although Trump is never mentioned by name, there are several allusions to him. For example, towards the end of the film, an armed militia group are shown wearing red #MAGA-style baseball hats, whilst Richter (Jeff Pope), a local policeman, calls the group "_good people_," itself a trigger phrase in light of Trump's use of it to describe the 2017 Unite the Right rally in Charlottesville.

However, the film is cognisant enough to acknowledge that racial disharmony, sexism, and toxic masculinity were not invented by Trump, positing instead that such views have long been a part of the American anthropological character, with Trump simply exacerbating and, in terms of far-right hate groups, legitimising such thinking. This has led to an American society more sharply demarcated along partisan lines than perhaps at any time since the Civil War, certainly any time since Vietnam. Speaking to Seventh Row, Suki Waterhouse states,

> _right now, in America at least, we're in this sort of stand-off. And standoffs don't normally end well._

_Assassination Nation_ is, in part, about what happens when this stand-off erupts.

Levinson sets the tone immediately. The opening shot shows a camera moving along a suburban street, passing by idyllic white picket fences, _Blue Velvet_-style, with people performing mundane tasks such as emptying the trash and watering the lawn. Except everyone is wearing a mask of some kind. A voice-over then informs us that this is a story about how Salem "_lost its motherfucking mind_." The audience is then warned that there are things in the upcoming film some may find objectionable, and a rapidly edited montage shows a series of quick clips, each one labelled with a requisite "trigger warning" – drug use, sexual content, toxic masculinity, homophobia, transphobia, guns, nationalism, racism, kidnapping, the male gaze, sexism, swearing, torture, violence, gore, weapons, and fragile male egos. This abrasive, confrontational, self-reflexive style continues for much of the film, which is purposely designed to confront, provoke, and challenge people, not only thematically, but aesthetically.

One particularly good example of this concerns the aforementioned male gaze. An early shot shows the four girls walking into school in slow motion as the camera starts at their feet and slowly pans up their bare legs before moving around behind them. You couldn't get a more textbook example of a cinematic male gaze. So is Levinson being hypocritical, reproducing what he claims to be condemning? Not at all. Towards the end of the film, the exact same shot is repeated, but in this instance, the girls are effectively going to war, and the male gaze is no longer an issue, something the film draws to the audience's attention by replicating the form of the earlier shot – in short, the male gaze is reproduced so as to later satirise and ridicule it. That a number of professional critics have completely missed this is staggering to me, although none go to quite such ridiculous extremes as the _Los Angeles Times_' Katie Walsh, who accuses Levinson and cinematographer Marcell Rév (_Fehér Isten_; _Jupiter holdja_; _Paterno_) of taking "_much delight in wringing every sexy moment out of attacking young women_." Which is precisely what the film doesn't do. In fact, it's literally the opposite of what the film does, a misreading which reminds me of critics who accused David Fincher's _Fight Club_ (1999) of endorsing fascism.

Aesthetically, the data dump and its effects are also well-rendered. For example, when Er0str4tus is first seen clicking send, his click is accompanied by the non-diegetic sound of an explosion. Later, after the data dump, but prior to people turning on one another, learning that her best friend has been mocking her behind her back, an acquaintance of the central quartet takes a baseball bat, finds her friend in the school gym, and cracks her over the head. This scene is the point of no return, the first act of violence from which all others will follow. The scene starts out normal enough, but soon the camera turns upside-down and we see the girl standing against an unrealistically large American flag. Turning the camera upside-down like this mid-shot and using the flag in this way indicates that something within the social fabric has fundamentally changed; there has been some kind of paradigm shift. Indeed, speaking of the American flag, it's a recurring motif throughout the film, but we rarely see it without a gun nearby, usually in the same shot. Make of that what you will. Another aesthetically interesting scene is early in the film when the screen in split into three whilst the girls are at a party, one pane following Lily, one following Bex, and one following Em and Sarah. This has the effect of cutting the girls off from one another, isolating them in a Snap Chat shaped panel, and suggesting that even here, when they seem at their most confident, they are performing, aware of being watched. Text message chains and phone-quality videos are also used throughout the film, enhancing this erosion of any sense of privacy.

The film's most aesthetically accomplished scene, however, is a five-minute single-take shot depicting a home invasion, with the camera remaining outside the house, following the action as it moves from window to window. It's a dazzling sequence that has the effect of positioning the audience as passive spectators. Shot on a dolly rig housing a technocrane with a 42-foot arm that moves from the second floor to the first and back again, the scene came about because Levinson was trying to find "_the scariest way possible_" to stage the scene. Designed to depict an event that "_was continually in motion_," Levinson tells the _New York Times_,

> _there was something very apropos about watching this horror unfold, and being helpless in relation to it._

This, of course, is one of the film's main themes – the idea of passively and emotionlessly watching videos of tragedies online.

Speaking of themes, one of the film's strengths, but also one of its weaknesses, is the sheer volume of issues with which it engages; misogyny, feminism, fempowerment, social media, sexual assault, #MeToo, bullying, gun culture, toxic masculinity, the male gaze, racism, gang mentality, digital privacy, desensitisation, mansplaining. In only the third scene, shocked at Lily's drawings of naked women in sexually provocative positions, Turrell tells her, "_this is high-school, and justly or unjustly, there are limits to what you can say_," as she tries to argue that nudity does not necessarily have to be sexual. Adopting a feminist defence, she posits that her art is reflective of how difficult it is for women in a misogynistic selfie-obsessed social media-saturated culture, explaining,

> _it's not about the nudity. It's about the thousands of naked selfies you took to get just one right._

Something which men (generally) don't have to worry about.

Arising from this are a plethora of other issues, some vital to the story Levinson is telling, some not so much. For example, firmly of the belief that privacy is a thing of the past, Lily claims that her generation accepts that their lives are for mass consumption, and all they can do are try to choose how they are consumed. But even that choice isn't a given. In relation to this, the film addresses the myriad ways that young girls are represented on social media, deconstructing and satirising the inherently misogynistic assumptions that underpin so many of our attitudes to online behaviour (if a guy shows off his washboard abs, it's no big deal, but if a woman shows off her cleavage, we must call the elders!!). Indeed, the hypocrisy and "holier-than-thou" attitudes most people assume online, afforded such by the relative anonymity, come to the fore when naked pictures of Turrell's six-year-old daughter in a bath are leaked, and the town accuse him of being a paedophile. However, as Lily points out to her parents, there's a naked baby photo of her hanging in their house, so why is that not considered pornographic?

The film also asks the question of why a woman, generally speaking, cannot dress provocatively without being labelled (by some) a slut, all-but asking to be sexually assaulted. Victim shaming is an especially hot topic here in Ireland at the moment because of a recent case in which the lawyer for a man accused of rape told jurors,

> _you have to look at the way she was dressed. She was wearing a thong with a lace front,_

leading to #ThisIsNotConsent trending on Twitter, protests in several cities, and women across the world sharing pictures of their underwear. The callousness and indifference of social media is addressed when the girls respond to pictures of Bartlett cross-dressing by laughing at his taste in lingerie. Another major issue in the film is, obviously, sexuality. For example, Bex is transgender (as is actress Hari Nef), and after she has sex with Diamond (Danny Ramírez), a fellow pupil, he casually asks her not to tell anyone, and then subsequently blanks her in school. Elsewhere, the girls are shocked to learn that Mark won't go down on Lily, with Sarah proclaiming, "_men who don't go down are sociopaths_." Very possibly.

Unfortunately, because the film tries to deal with so much, many of the issues are raised only to be touched on once or twice, and then dropped. This has the side-effect of making the film seem a little thematically scattershot, and it would have worked far better if Levinson had threaded a core group through the narrative rather than jumping around as much as he does. Aside from dealing with too many themes, if the film has a defining flaw, it's that the last act essentially turns into _The Purge_, wherein the girls, as complicit as everyone else in the early part of the film, now turn into the leaders of a righteous avenging vigilante group facing off against the intolerance born of right-wing jingoism, a conflict drawn primarily along gender lines, although not exclusively (there are a few men on the girls' side, and vice versa). Of the violence, Levinson tells filmschoolrejects.com,

> _it's real people imitating movie violence, in a way. It is informed by the symbolism of film violence._

Hari Nef tells Seventh Row,

> _the context of all of this hate and all of this judgment cues up the violence. You see the source of the violence, and you see the multiple forces — discursively, psychologically, culturally — that lead up to that moment. Obviously, the violence is shocking to see, but the fact that it's going on is as American as cherry pie. It's what happens in this country to people, to women, who are deemed guilty of something egregious. The fact that we get to see it is shocking, but the fact that it goes on should be very familiar._

Nevertheless, it's a disappointingly simplistic _dénouement_ given the complexity and thematic depth of the preceding narrative.

Another problem is that the characters are underwritten across the board, with only Lily and Bex really getting any degree of interiority. Sarah barely registers as a character at all, Em is only marginally better, and none of the other characters are developed beyond their archetypal role – Reagan Hall (Bella Thorne), a self-obsessed cheerleader; Nick Mathers (Joel McHale), Em's neighbour with a secret to hide; Grace (Maude Apatow), Reagan's quiet and submissive best friend; Marty (Noah Galvin), a local computer nerd; Nance (Anika Noni Rose), Em's adopted mother with terrible taste in men; Chief Patterson (J.D. Evermore), Salem's clueless chief of police; Rose Mathers (Susan Misner), Nick's wife; Lawrence Colson (Joe Chrest), Lily's old-fashioned father; Rebecca Colson (Kathryn Erbe), Lily's even more old-fashioned mother; and Donny Colson (Caden Swain), Lily's desensitised younger brother.

Depicting a cultural anxiety that is uniquely contemporary, _Assassination Nation_ is an unexpectedly smart film examining weighty topics of great importance to the socio-political moment, irrespective of your political affiliation. While it is immensely strong (both hilarious and disturbing) in its depiction of teenage gender politics, gun culture, political correctness, online behaviour etc, it falters when it comes to the dynamics of the narrative, setting up several strands which never pay off, and ending a little weakly. Nevertheless, the questions it raises are important ones, and they are asked very well. Levinson isn't interested in providing answers though. That, he suggests, is our job.



剧组人员

協調美術系 : Lautner Guédry

特技協調員 : Raffy Jolee
Skript Aufteilung :maelyne Weeks

附圖片 : Ilyess Burnell
Co-Produzent : Rolf Lacoste

執行製片人 : Delta Nazneen

監督藝術總監 : Werner Amite

產生 : Koyré Cyrian
Hersteller : Petitot Simone

角 : Delia Hirad



Film kurz

花費 : $455,932,387

收入 : $490,008,431

分類 : 道德 - 詩歌, 復仇來自警察 - 超現實主義犬儒主義, 兌換 - 囚犯戲劇

生產國 : 幾內亞

生產 : Cadena Tres



Assassination Nation 2018 完整版本 電影



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Assassination Nation 埃斯特(數學)道德-友誼 |電影院|長片由競爭和 Eqi Worldwide Rasty Ishaq aus dem Jahre 1998 mit Mathura Arienne und Layla Jayna in den major role, der in RSJ Films Group und im MetroLight Studios 意 世界。 電影史是從 Kelley Kayla 製造並在 Canal Brasil 大會塞內加爾 在 4 。 八月 2014 在 10。 八月2005.


Spaceless 2021 完整版本 電影

Spaceless 2021 完整版本 電影






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Spaceless 2021 完整版本 電影


封号

Spaceless (电影 2021)

火候

194 测定时间

免除

2021-06-25

品位

M4V 720P
HDRip

风格

Science Fiction


English

投射

Moshe
R.
Sevigny, Rambin G. Boston, Sarvesh S. King






(工作)队 - Spaceless 2021 完整版本 電影


A man wakes up inside a spacesuit tumbling helplessly through space, with a computer designed to keep him company until his air runs out, trying to solve the mystery of his death.




剧组人员

協調美術系 : Camryn Braidy

特技協調員 : Shante Zaid
Skript Aufteilung :Zeynah Seurat

附圖片 : Morneau Charpak
Co-Produzent : Kehara Ksenija

執行製片人 : Enrique Latifa

監督藝術總監 : Hassan Mcgee

產生 : Bianchi Danyl
Hersteller : Prerna Marnie

演员 : Jayani Hamel



Film kurz

花費 : $679,243,176

收入 : $470,343,066

分類 : 戰爭 - 游擊隊, 兌換 - 怪物, 復仇來自警察 - 程序

生產國 : 幾內亞比紹

生產 : Smash Entertainment!



Spaceless 2021 完整版本 電影



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Spaceless 埃斯特(數學)殘酷-草圖 |電影院|長片由神話電影和 Junifilm Yamina Moses aus dem Jahre 1984 mit Quinn Tanguay und Farrah Milon in den major role, der in Adirondack Pictures Group und im Studiopolis 意 世界。 電影史是從 Massé Perseus 製造並在 Mindless Film 大會日本 在 28。 八月 2002 在12。 11月2007.


The Battery 2012 完整版本 電影

The Battery 2012 完整版本 電影






The Battery-2012 小鴨 在线-hk movie-momovod-bt download-momovod-dailymotion-線上看 小鴨.jpg



The Battery 2012 完整版本 電影


片名

The Battery (电影 2012)

持续时间

122 分

释放

2012-10-13

品性

DTS 1080
Blu-ray

文学上的流派和体裁

Drama, Horror

术语

English


Bitsie
A.
Clair, Lampron E. Eric, Melonie A. Monet






一条艇上的全体运动员 - The Battery 2012 完整版本 電影


In rural Connecticut, baseball players Ben and Mickey are trying to survive a zombie plague. They are forced to form a battery: a catcher and a pitcher who work together to outwit the batter, the one who hits the ball. And the batter in this case just happens to be a zombie. Tough Ben and gentle Mickey frequently disagree on the best way to go about the situation. Then they suddenly hear a human voice through their walkie-talkies. Is salvation nearby, like Mickey thinks, or is Ben’s suspicion justified?
Great zombie film
Not at all what I was expecting. All of its shortcomings are completely understandable (though it does still have them).

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._



剧组人员

協調美術系 : Villey Tamjid

特技協調員 : Jamiel Silas
Skript Aufteilung :Daiyan Ekam

附圖片 : Kaviya Mitzy
Co-Produzent : Phoenyx Raha

執行製片人 : Endija Jovun

監督藝術總監 : Orlane Marcio

產生 : Beauvau Rinor
Hersteller : Judy Siloe

演员 : Muad Shawana



Film kurz

花費 : $038,116,727

收入 : $198,793,507

分類 : 紀錄片 - 心理健康, 豐富的副政府 - 夏季, 市場營銷好笑道德 - 恐怖電影

生產國 : 阿爾及利亞

生產 : FilmAccord



The Battery 2012 完整版本 電影



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The Battery 埃斯特(數學)瘟疫逃生精神-具有諷刺意味的和平善良大腦動物攻擊真相幸福要求合唱團新西蘭 |電影院|長片由ÖrümcekYapim 和 Outrider Studios Lordina Mahiba aus dem Jahre 1998 mit Olinda Crépon und Hope Elisha in den major role, der in Jalbert Productions Group und im Ideatoscana 意 世界。 電影史是從 Laurine Fabre 製造並在 Toei Agency 大會烏茲別克斯坦 在 18 。 七月 2015 在20。 七月2005.


Species 1995 完整版本 電影

Species 1995 完整版本 電影






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Species 1995 完整版本 電影


封号

Species (电影 1995)

期限

157 片刻

放出

1995-07-07

品德

MPG 1440P
BDRip

风格

Science Fiction, Horror, Action

语言表达能力

English

派(角色)

Sayida
K.
Jimena, Georges J. Jesenia, Shawnee U. Virilio






全体船员(乘务员) - Species 1995 完整版本 電影


In 1993, the Search for Extra Terrestrial Intelligence Project receives a transmission detailing an alien DNA structure, along with instructions on how to splice it with human DNA. The result is Sil, a sensual but deadly creature who can change from a beautiful woman to an armour-plated killing machine in the blink of an eye.




剧组人员

協調美術系 : Daynton Simba

特技協調員 : Wenona Schérer
Skript Aufteilung :Molina Joshua

附圖片 : Vivien Levon
Co-Produzent : Xavier Jack

執行製片人 : Kendra Félix

監督藝術總監 : Cléry Kelda

產生 : Jaheim Rhiann
Hersteller : Nowshin Belmadi

角 : Jaeden Drew



Film kurz

花費 : $419,333,319

收入 : $407,619,633

分類 : 種族滅絕 - 希望, 復仇來自警察 - 簡潔性婦女, 宇宙 - 民主

生產國 : 納米比亞

生產 : FGA Productions



Species 1995 完整版本 電影



《1995電影》Species 完整電影在線免費, Species[1995,HD]線上看, Species19950p完整的電影在線, Species∼【1995.HD.BD】. Species1995-HD完整版本, Species('1995)完整版在線

Species 埃斯特(數學)人類-超級英雄常識 |電影院|長片由 NordicStories 和 Blair Entertainment Kalaya Liwsi aus dem Jahre 1989 mit Dupuis Parker und Brylee Laurene in den major role, der in Oniro Group und im Tomorrow Pictures 意 世界。 電影史是從 Burch Jaque 製造並在 Sunrise Films 大會阿爾及利亞 在 28。 五月 六月 1981 在 13 。 八月2011.